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Qiu Miaojin: Textuality, Visuality, and Desire in Global Circulation

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Organized by:

Department of Comparative Literature, The Center for the Study of Globalization and Cultures (CSGC), HKU

Contact: Dr. Alvin K. Wong (akhwong@hku.hk)

Date: December 4, 2021 (Saturday)

Time: 9am-5:30pm (HKT)

This conference engages with the literary works of Qiu Miaojin, a famous lesbian and queer writer of Taiwan whose premature death in 1995 marks a watershed moment in queer and literary discourses both in and out of Taiwan. Qiu’s queer classic Notes of a Crocodile (1994) centers on a lesbian protagonist who assumes a non-human alter ego of a crocodile in the narration. Showcasing the clever use of irony, sarcasm, and dark humor, Qiu’s first novel instantly became a defining work of lesbian queer fiction in Taiwan. Qiu’s writing career ended too early when she committed suicide at the young age of twenty-six, leaving us with her last work called Last Words from Montmartre (1996). Recently, filmmaker Evans Chan has also completed a full feature film called Love and Death in Montmartre (2019). This conference brings together scholars who are interested in the lifework of Qiu by considering the impact of her works across the fields of film studies, literary studies, affect theory, queer studies, animal studies, and translation theory. It takes the specific case of Qiu’s lifework to investigate how the mobility of queer desire enables a kind of cross-genre, transmedial, and transnational mode of textuality. Presenters will situate the cultural phenomenon of Qiu Miaojin in broader comparative and global perspectives. The conference brings together literary and cultural critics, a filmmaker, and creative writers from Australia, Japan, Hong Kong, Taiwan, North America, and the UK.

 

*Film screening: Love and Death in Montmartre 蒙馬特之愛與死 (2019), directed by Evans Chan (Vimeo link will be sent to you prior to the event.)

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